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Adolf Galland had quite deep sunken eyes and due to that between the eyebrows and the top of the eyes was in shadow. It gave him like it or not a sinister determined look. His cheeks also were quite bulbous which gives a shadow under the cheeks.
Just got to check but a member, sorry forgotten his name, thought that you should not have the eyes looking directly forward as it did not look authentic.
Adolf Galland had quite deep sunken eyes and due to that between the eyebrows and the top of the eyes was in shadow. It gave him like it or not a sinister determined look. His cheeks also were quite bulbous which gives a shadow under the cheeks.Just got to check but a member, sorry forgotten his name, thought that you should not have the eyes looking directly forward as it did not look authentic.
Laurie
I read that somewhere on here too Laurie. I think it makes them look like they have sat on a red hot poker or just one heck of a stare. Alan After the white I do the iris then get my good magnifier out and try to make the flesh tone take out some of the iris colour. it is easier said than done tough. It makes the iris less rounded.
A slightly different take on this Alan....I'm a firm believer in hardly any detail to eyes, in 1/48 and smaller.
So many times I've seen the retinas sticking out like organ stops.. Stand well back and look in a mirror. How much eye detail can be seen? Next to now't!
So to take a small scale model figure, the detail is even less. I reckon just a hint of colour in the eye socket is enough. People tend to squint most of the time anyway!
I once had the audacity to suggest this elsewhere, and was publicly really ripped to bits by an 'Expert', so be gentle, it's only my humble opinion......
I once had the audacity to suggest this elsewhere, and was publicly really ripped to bits by an 'Expert', so be gentle, it's only my humble opinion......
Experts...pah! If we all where that good we wouldn't need forums like this. If it works for you then pass it on, a more detailed look may work for others. On larger figures I was told to make the white of the eye more a grey so it doesn't stand out.
A slightly different take on this Alan....I'm a firm believer in hardly any detail to eyes, in 1/48 and smaller.So many times I've seen the retinas sticking out like organ stops.. Stand well back and look in a mirror. How much eye detail can be seen? Next to now't!
So to take a small scale model figure, the detail is even less. I reckon just a hint of colour in the eye socket is enough. People tend to squint most of the time anyway!
I once had the audacity to suggest this elsewhere, and was publicly really ripped to bits by an 'Expert', so be gentle, it's only my humble opinion......
Ron
I squint mostly when trying to paint the little beggers.
I agree Ron I have found that eyes are the most difficult. But Paul did a very good explanation of this with some pictures.
One of the problems is that when we look at a person where do we look not the nose or mouth we all look at the eyes. So we know what to expect except we do not know how to portray them.
If you look at the icon pictures we display, mostly, one thing is noticeable. The eye sockets are in shadow and after Paul's help you can see how true this is. You still need eye colour as it looks unreal without them but a subdued colour in the shadow.
Also look at those shadows from the nose down to the outside of the lips.
There are exceptions to this. If you have a big nose then you cannot hide that. Also if you have big lips. Just off to the bathroom there is a big mirror !!!!!!!
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