Thanks for the article Jakko, it will help many here. Ever since handphones were equipped with a sophisticated camera, I've done away with complicated equipment and just snap from my work table which already has the room light for fill ins, an overhead LED and a side table lamp with white light. For the backdrop I use my trusty old rolled up blue or white card board and pegs to hold it down. Any parts I need highlighting I just use a piece of foam board as a reflector. I snap away loosely for a larger depth of field and let the HP do the rest. Crop it later for any parts I want to feature.
Larger dioramas are shot outside in 9 to 10am sunlight bounced off a wall so I don't need any diffusers. My monkey ambush shots were done like that. Technology has come a long way that even videos are shot with HPs. I never thought it would come to this as I'm used to large format movie cameras on sets...nothing like the sound of a camera rolling.
Your article definitely will open eyes to the art of lighting a perfect photo. I would still edit as I always did for print because that's another whole can of worms.
Cheers,
Wabble
Larger dioramas are shot outside in 9 to 10am sunlight bounced off a wall so I don't need any diffusers. My monkey ambush shots were done like that. Technology has come a long way that even videos are shot with HPs. I never thought it would come to this as I'm used to large format movie cameras on sets...nothing like the sound of a camera rolling.
Your article definitely will open eyes to the art of lighting a perfect photo. I would still edit as I always did for print because that's another whole can of worms.
Cheers,
Wabble
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