Rather than applying a liquid filter I apply a dot or two of a suitable colour to the surface of the model and then work that with a brush slightly moistened with thinners. Oil paints can be worked virtually to the point of disappearing and for very subtle effects.
To create interest on my recent tropical scheme I dotted analagous colours (close to the sandy camouflage colour) in different areas and worked them to lighten and to a lesser extent darken different areas very slightly. I also used some white to lighten some 'sun struck' or worn areas a little more dramatically.
It's just another way of using oil paints.
A lot of modellers apply a greyish filter over typical camouflage colours as it tends to alter the tone of the underlying colours in an easy and usually pleasing way. Tinting with white or shading with black can be a bit more tricky
Cheers
Steve
To create interest on my recent tropical scheme I dotted analagous colours (close to the sandy camouflage colour) in different areas and worked them to lighten and to a lesser extent darken different areas very slightly. I also used some white to lighten some 'sun struck' or worn areas a little more dramatically.
It's just another way of using oil paints.
A lot of modellers apply a greyish filter over typical camouflage colours as it tends to alter the tone of the underlying colours in an easy and usually pleasing way. Tinting with white or shading with black can be a bit more tricky

Cheers
Steve
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